ENDA Episode 179→ The time when ENDA gets in a bullet fight with John Wick (Part 6)
The shell moves independently from both the gun and the camera, so all we need is to position it correctly in the first frame.
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ENDA Episode 178→ The time when ENDA tells a little secret called: Deep Anything (Part 1)
So creating your own depth of field was up to you. It wasn’t impossible, just more tedious, especially if your shot had a lot of camera movement.
ENDA Episode 177→ The time when ENDA faces a Multipass Challenge (Part 7)
On the contrary, sometimes it is very subtle, but once you look at the shot with those pieces of footage integrated around, you’ve already created an atmosphere that looks seamless.
ENDA Episode 176→ The time when ENDA walks the endless path
So I started to look back at my journey so far, and I realized something: I was still far from being called a master, but being an apprentice had always been a constant in my life.
ENDA Episode 175→ The time when ENDA faces a Multipass Challenge (Part 6)
However, we didn’t have the resources to run a simulation for this shot. So we had to do what compositors usually do: find footage and integrate it.
ENDA Episode 174→ The time when ENDA ponders about time and work (Part 2)
Because you’re responsible for the project, and emergencies can happen at any time, on any day. It’s a role that carries heavy responsibility and requires serious commitment.
