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ENDA Episode 245→ The time when ENDA works on a Paint Out Shot (Part 16) 1 min read
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ENDA Episode 245→ The time when ENDA works on a Paint Out Shot (Part 16)

This division is necessary because, when the shoulder moves, the strap does not always follow the same motion.

By Gonzalo Castaneda
ENDA Episode 245→ The time when ENDA works on a Paint Out Shot (Part 16) Post image

Today is all about the shoulder!

There was a reason why we left it until last, aside from the fact that we have been reconstructing the shot from top to bottom.

In the video below, you can see that, from Frame 10 onwards, the shoulder is divided into two parts: the shoulder itself and the strap of the dress.

This division is necessary because, when the shoulder moves, the strap does not always follow the same motion. Sometimes, it moves with a slight misalignment, which means we need to animate the patches separately.

On top of that, we also need to be careful when the strap changes its volume due to the camera perspective.

Taking all of that into consideration, we can see that our first ten frames are working well with the rest of the prep work.

From here on, it is all about addressing the multiple changes we may face throughout the rest of the shot.

But that will be for a future episode.

So, stay tuned!

The journey continues...

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